The Prepared Environment

“To assist a child we must provide him with an environment which will enable him to develop freely.” – Maria Montessori

One of the most unique aspects of a Montessori learning environment which sets it completely apart from other classrooms is the preparation and sequencing of the materials which Maria Montessori created over a century ago with the children whom she guided. Since her death in 1952, Montessori guides (teachers) have continued using Montessori materials and creating materials inspired by her scientific approach. In her books, Montessori speaks so often about the importance of the prepared environment where child can cultivate confidence, independence, and mastery.

“The environment itself will teach the child, if every error he makes is manifest to him, without the intervention of a parent or teacher, who should remain a quiet observer of all that happens.” – Maria Montessori

Usually, shelves in the Lower Elementary room are arranged by curricular area – Language, Math, Practical Life, and Cultural studies. Guides rotate the shelves throughout a school year, due in large part to the observations of the children by the adult guide. She notices which materials are relevant and enticing to the children, and she also observes when the children are no longer intrigued. When new materials appear, interest is stirred and activity is contagious amongst the children, who want to manipulate the concrete materials with their hands and other senses.

“The environment must be a living one, directed by a higher intelligence, arranged by an adult who is prepared for his mission.” – Maria Montessori

The center of the 6-9 year old mixed-age classroom is Cosmic Education, the scope and order of the stories of the Universe from largest and oldest to the most recent and familiar. The vastness of the Cosmic curriculum in particular – from astronomy, physics, and chemistry to geology, geography, and life sciences – demands fluidity of movement as the children move through the Great Lessons. The children’s best and first teacher is the real material which they are given to touch, such as real plants in need of water, real fossils of trilobites, and real igneous rock that was once ejected from a real volcano.

“The child must live in an environment of beauty.” – Maria Montessori

Regular change on the Cultural shelves mimics the inevitable and continuous changes on Earth – from the growth of continental plates from vulcanism to the erosion of rock through the Work of Wind and the Work of Water to the migration of humans due to natural hazards and civilization. These grand ideas are presented as key experiences to spark the imagination of the child.

“To do well, it is necessary to aim at giving the elementary age child an idea of all fields of study, not in precise detail, but an impression. The idea is to sow the seeds of knowledge at this age, when a sort of sensitive period for the imagination exists.” – Maria Montessori

Math shelves contain materials which the child can use independently or with a partner after an initial lesson from an adult Montessori guide. The materials are also sequential and attuned to different learning styles. For example, several different materials can be used by a child learning a math operation, such as addition. The Golden Beads are all the same color and require the child to use her pincer grip, which is developing at the 6-9 ages, with great care and precision. The Stamp Game is similar to the Golden Beads in terms of quantity and place value concepts, yet variations include size, shape, and color (also reinforcing place value – green representing units, blue representing tens, and red representing hundreds).

“The first aim of the prepared environment is, as far as it is possible, to render the growing child independent of the adult.” – Maria Montessori

The Small and Large Bead Frames are often an option preferred by children with strong spatial and kinesthetic learning styles, especially those who have tired of using the Stamp Game in a plane; the Bead Frames allow exchanging to happen in the vertical sphere. The Bank Game allows children to work together in small groups, role-playing using the expanded form of the operations. In most Montessori classes, the children eventually (and ideally) work with such confidence and independence that they hardly register the observing presence of their adult guide.

“The teacher’s first duty is to watch over the environment, and this takes precedence over all the rest.  Its influence is indirect, but unless it is well done there will be no effective and permanent results of any kind; physical, intellectual or spiritual.” – Maria Montessori

Language shelves contain materials (usually card materials) which are self-correcting and self-explanatory for a child to use – again, after an initial lesson with an adult Montessori guide, by herself or with a partner. Children learn sounds of vowels and consonants using Phonics towers, language relationships (such as compound words, synonyms, and homophones) using Word Study drawers, and parts of speech (such as nouns, adjectives, and prepositions) using Grammar boxes.

“Not upon the ability of the teacher does education rest, but upon the didactic system.  When the control and correction of errors is yielded to the materials, there remains for the teacher nothing but to observe.” – Maria Montessori

Children keep track of the drawers they complete in order to find appropriate partners of any age, and many children enjoy the maturity and responsibility of giving lessons to their peers. The adult guide watches and intervenes only when needed, redirecting the child back to the material and using questions to assist in the child’s own discovery. Children help each other in the same way as the adult models them, avoiding telling an answer and instead asking questions or walking through the prepared environment to locate resources such as a dictionary, atlas, or thesaurus.

“Education is a natural process carried out by the human individual, and is acquired not by listening to words, but by experiences in the environment.” – Maria Montessori

Practical Life is an area of the Montessori curriculum which is central to the 3-6 year-old Primary classroom, however since Lower Elementary children ages 6-9 are also still developing fine motor, gross motor, sensory integration, and self-regulation skills, the activities and materials on the Practical Life shelves provide great relief and reprieve for children from the abundant (and sometimes rigorous) academic materials.

“The exercises of practical life are formative activities, a work of adaptation to the environment. Such adaptation to the environment and efficient functioning therein is the very essence of a useful education.” – Maria Montessori

Practical Life materials are hands-on – such as braiding, sorting, and weaving. Practical Life materials are creative – such as watercolors, clay tablets, and building blocks. Practical Life materials soothe and calm the whole body – such as yoga, jumping rope, and carrying hand weights. These shelves are favorites for children in need of a “brain break” who often return to their intellectual work soon after with renewed energy and concentration.

“The materials, in fact, do not offer to the child the content of the mind, but the order for that content.” – Maria Montessori

One of the most iconic places in any Montessori learning environment is the Peace Table, a beautiful space where children may sit by themselves or with a friend with whom they have conflict. In a Primary room, a single rose in a vase on a table symbolizes Peace. In my Lower Elementary classroom, I have decorated our Peace Table (which sits close to the floor) with a soft scarf, a Tibetan singing bowl, a Chinese meditation egg, and a few lovely gemstones. Maria Montessori respected children as emotional, intellectual, social beings. The adult guide may give a lesson on how to use the Peace Table – either for internal balance or for interpersonal problem-solving – yet it remains in the child’s power to decide if and when to use the materials.

“The children must be free to choose their own occupations, just as they must never be interrupted in their spontaneous activity.” – Maria Montessori

The scope and sequence of the Montessori curriculum and classroom set-up is quite intentional, not unlike the scaffolding of a building under construction – or a theater stage. Children are unaware of the preparation of their learning environment – from lessons to materials to shelf layout and rotation. They do not need to know all the content or all the steps in order to grow. They only need to feel secure that they are free to explore and discover in an organized fashion.

“Freedom without organization is useless.  The organization of the work, therefore, is the cornerstone of this new structure.  But even that organization would be in vain without the liberty to make use of it.” – Maria Montessori

The Middle Path of Montessori

As a Montessori teacher, I have for years heard two presumptions about this educational method from those who know a little about it, but not a lot: "Montessori is really structured, isn't it?" and "Montessori? That's not very structured, right? Kids just get to do whatever." These dualistic opinions have often puzzled me, and it is only after reading a great book called The Genius in Every Child: Encouraging Character, Curiosity, and Creativity in Children by Rick Ackerly, that I finally have come to understand why people -- usually, parents with children new to Montessori -- think one way or the other. Ackerly -- although not a Montessorian -- writes from the perspective of a longtime educator and father about his experiences with students, their parents, and his own children in a way that resonates with the Montessori approach. He makes a key distinction between guiding students and leading them, the former being superior to the latter. His writing is very succinct, humorous, and insightful about the ways in which education can develop the "genius" alive in each student by encouraging responsibility, honoring uniqueness, caring for the "whole child", and engaging the will rather than expecting mastery. 

1. Responsibility. Ackerly adeptly shares anecdotes which illustrate his evolving understanding of a life's work in education. One of the key points he makes is that children need to be trusted with responsibility. Parents and teachers, he cautions, "can take that enthusiasm for learning away from them if (a) we care more about it than they do, (b) we get worried about their success, (c) we make them give up play (which is a child's right), and (d) if we turn their parents into teachers" (6). One of the main tenets of Montessori education is the presentation of a carefully prepared environment (of both hands-on materials and curriculum in the form of key lessons) that encourages and supports what Maria Montessori called "auto-education". She believed that children have within them the will to pursue their own development, to ask questions, and to challenge the boundaries of reality. This is in stark contrast to the ideology of John Dewey, the father of contemporary public education, whose approach was modeled on the assembly line in the early days of the Industrial Age. That is not the world we live in now, and Maria Montessori had the foresight over a century ago to see children as they were and to help them develop as human beings in relation to the world. Students show their interests, teachers give them lessons on math concepts or parts or speech or kingdoms of life, and the community of learners go as deeply into their studies as they wish.

Ackerly clarifies the term "genius" in his book as "the teacher within... the you that is becoming" (ix).  "Another manifestation of genius is character, and ... to the Greeks kharakter was the imprint that the gods put on the soul at birth. Educating is creating conditions in which the character that is your child becomes what he or she is supposed to become" (38). This reminds me of the aphorism at my school, which hangs above the entrance: "I am becoming..." The verb tense of that statement underlines that the present moment -- not the past, not the unknown future -- is the source of character, curiosity, and creativity in the learner. Another tenet of Montessori education is that it takes place within a mixed-age three-year cycle, whereby two-thirds of the class returns each fall and younger students work with older mentors to understand their environment and studies. Some people ask about the role of the teacher in a 1st through 3rd grade classroom, and it is one of the main reasons that I enjoy my work so much. The teacher (or, as Montessori called her, "guide") is as active as necessary and as invisible as possible. An effective Montessorian observes the children -- not only their intellectual pursuits, but their physical habits, their interactions with one another, their wonder at nature and beauty, and the ways in which they react emotionally throughout the day. Montessori teachers walk a fine line, being careful not to interrupt a child in a state of flow and asking questions only when a need arises. Ackerly strongly suggests that parents honor their role in their child's life with the reminder that "children need teachers at school and parents at home" (7). He comments on the trend of "helicopter parenting": "Hovering is perhaps normal these days, but it often unknowingly stifles, inhibits, and in many ways is counterproductive to the discovery and development of a child's genius" (13). 

Ackerly also addresses the subject of responsibility in terms of a child's social behavior. In the past ten years, I have had many different kinds of interactions with parents, most of them very supportive and understanding. Parents want their child to succeed, of course, and sometimes this becomes an extreme desire to prevent anything bad from ever happening to their child. Sometimes, parents take on their child's social or emotional issues and project hostility toward a teacher. Ackerly, himself an educator and a father, reminds parents: "If you care more about it than they do, you absolve them of responsibility... Support them in the lifelong challenge of harmonizing their needs, drives, and interests with those of others" (34). Far from sparing a child from growing emotionally through a struggle, he states that in educating a child's character, "Nothing succeeds like taking responsibility. Nothing succeeds like failure. Failure is at least as powerful an educator as success" (48). If a parent reacts with anxiety and anger when the child experiences a challenge, the child learns that s/he is not trusted to handle his/her emotions and social interactions. The parent behaves as if the child is in constant need of saving. The best parent-teacher-student relationships I have experienced over the years have consisted of respectful communication between the adults about the child's learning life. Ackerly advises that "our children need to be noticed more and analyzed less, delighted in more than worried over, challenged more than protected, not so much made to be good as taught to be good at being themselves (40). One of my favorite suggestions is to "act as if you are the variable (and your child and everyone else are the constant)." Complaining or blaming are less useful than taking responsibility for oneself and becoming comfortable with adapting to the many aspects of life we cannot control.

2. Uniqueness and the Whole Child. Many contemporary educational models claim to be "holistic" in their interdisciplinary approaches. Montessori education values a rich and wide array of academics and extends its "holistic" approach to place intellectual development on the same level of importance as a child's emotional, social, spiritual, and physical development. Ackerly echoes this belief when he writes that "everything a child does occurs in an intellectual, social, emotional, and spiritual context... the primary determinant of how and what the child learns" (23). Of course, school is a place to learn -- just not simply about history, chemistry, phonics, and fractions. School is a place to learn about oneself and others -- other people, other places, and other ideas. When a child is learning, s/he enters a wonderful state where s/he is intimate with study and peaceful in his/her curiosity about it. That moment is crucial and should not be interrupted, even by an adult's admiration -- which Maria Montessori cautioned her guides to restrain. Ackery agrees: "When your child shows you a piece of work, it is undisciplined to say: 'My, how smart you are.' Much better for us to think of something new like: 'Oh, good, I can see you have been practicing,' or 'Did you work hard on it?'" (30). In my class, I strive to use value-less language or to ask questions, rather than to give approval or disapproval, because the child's work belongs to him/her and is special. It should have nothing to do with anyone else's opinion, which can easily influence children's self-esteem. 

Ackerly calls this curious and engaged state of learning "greatness (which) can never be achieved when comparison is involved. If you look over your shoulder to see if there is a person gaining on you, someone will. Fear will kick in, you will become more self-conscious, and the greatness that you are will fade -- and with it, the quality of your work" (157). Some people ask how children can avoid comparison with others, especially in a mixed-age classroom where the disparity between a six-year-old and an eight- or nine-year-old becomes evident. I often reply that, because students work collaboratively and stay in the same community for three years, there are hundreds of opportunities for children to notice uniqueness and appreciate each individual's struggles toward ability. Students in my classroom are incredibly compassionate and  enjoy gathering for weekly "class meetings" to share aloud their observations about one another, such as "I noticed that Zach was careful with his handwriting," or "I noticed that Sreya was helpful when the pencil tray spilled." Montessori education supports a child's own pace in learning. Self-correcting materials -- such as word study cards or the Stamp Game -- show a child his/her error without judgment. Each child's uniqueness is honored, through the "genius" design of Montessori's concrete materials. A child can revisit the Checkerboard as many times as needed until s/he comprehends advanced multiplication. A child need not be constrained to a single grade curriculum if s/he demonstrates understanding by using the materials. 

3. Engagement, Not Mastery. A school principal for many decades, Ackerly addresses some common parental concerns about their children's learning: "One of the important dimensions of education that the 'back to basics' people and the No Child Left Behind project leave out ... is the prefrontal cortex. To function effectively in the world ... a person needs to use his or prefrontal cortex a lot. This part of the brain deals with complex problem solving, self-monitoring, and abstract thinking skills. It is required for flexibility of thought and the ability to hold and manipulate information in working memory" (84). Contemporary brain research concurs with the Montessori approach to engage these "executive functioning" skills -- which, coincidentally, are supported by increased independence, responsibility, self-awareness, and organization. Again, the design of the Montessori classroom and curriculum is so important for the training of this ability in children. The center of interest in a 6-9 classroom is called "Cosmic Curriculum," the stories from many cultures that address the coming of the Universe, the planets, and life on Earth. In addition to key lessons which the teacher gives in subjects such as chemistry, physics, and geology, students freely explore each of these curricular areas with beautiful and imaginative shelf work -- such as a wooden Bohr diagram for studying atomic structure, gravity experiments, and plate tectonic activities. 

Despite this abundance of creative material and opportunity, parents often worry that school is too easy or too hard for their child. A middle path between these extremes exists, and Ackerly observes that "IQ does not predict success. Neither do grades in school, nor scores on standardized achievement tests... One thing that does predict success, however, is the passionate pursuit of interests" (81). An engaged child is learning and enjoys learning. A nervous or stressed child cannot learn, because the amygdala inhibits brain electricity from crossing the midline when a person's emotions are elevated. Ackerly continues: "Parents can have a powerful role in maintaining this (a child's enthusiasm for learning), mostly by not getting worked up and anxious about their children's academic achievement... This can be very destructive (80). "Our children are on their own journey ... (and) need us to have confidence in them. If we lose confidence, it is our fears that are showing, not their weaknesses" (143). It is our responsibility to children to believe in them and not project our concerns or opinions onto them. 

What I finally understood about the aforementioned presumptions people often make about Montessori (being either too structured or not structured enough) is very simple: both of those extreme points of view reflect the person's relationship with the fine line, the middle path that is the Montessori Method. In reality, a Montessori classroom provides structure and encourages individual pacing and depth, honors uniqueness of the individual and respects the needs of the community, and engages student interests while adhering to (and often exceeding) the minimum requirements for learning (benchmarks). One of the main tenets of Montessori education is to "follow the child" -- an aphorism I selected for this educational blog, because it reminds me of my quiet role in remembering that, as Ackerly states, "the child knows". 

The Prepared Environment

At the end of every summer when I return to work as a Montessori teacher for ages 6-9 (grades 1-3), I like to recharge the setting and make changes that follow the child. Maria Montessori considered "the prepared environment" of the classroom to be a place of order and beauty meant to attract the child to meaningful work, settle him/herself spiritually and emotionally, and allow him/her independent access to motivate auto-education. In anticipation of the start of the school year, I have taken some recent photos of some aspects of the Montessori classroom that live Maria's mission beautifully.

Montessori elementary focuses on the 5 Great Lessons (the Coming of the Universe, Earth, Humans, Language, and Numbers), which is called the "Cosmic Curriculum". We will be starting with the Big Bang (as one of the explanations of the start of the Universe, as well as cultural stories from around the world), so the work on the middle shelf left is called "Stellarnucleosynthesis" which is the birth (or death) of a star -- in our case, the Sun. The work is a series of concentric circles (made of felt), each representing one of the elements that was created when the Universe banged into existence. That leads into study of the Periodic Table, atoms, planets, and eventually Earth. That thing on the top shelf middle is a light box, for tracing various things -- pictures of animals in books, outlines of leaves from card material, flags, etc. 

Life Science: That big thing on the right is the Bead Cabinet. It's also in age 3-6 classes, as well as age 6-9 classes like mine. It helps with linear counting, multiples, cubing, etc. Those are called Golden Beads, where each number is assigned a certain color, for beauty and orderly isolation of numerals. (That's actually near the math area, but I thought I should explain it.) The life science shelf contains botany, as well as protists like fungi and bacteria, and I like to have a child-size microscope on the shelf where students can use it to look at pre-made slides (like of a butterfly wing or flower pollen) or slides they make (with seaweed or laundry fuzz). I also have a magnifying glass and two binoculars, as well as a tree identifying book and the leaf cabinet, so we will start the year by trying to find leaves with different margins and figuring out from what trees they fell. 

Room 1: This is a view of the room from the front door. Parent volunteers give weekly spelling tests to students at a computer table. I made the reading/writing corner in the back of the room larger and kind of isolated, so it might actually be quiet for kids reading or writing book reports. When I took everything off the wall in June, my intention was to move everything down the wall closer to student eye level. It is important to see the world from the perspective of a child, so sometimes lying on my back helps me get closer to his/her point of view. This is the students' room, not just mine.

Measurement: My favorite shelf this year! I bought a new lamp for the math area, so that sometimes we can lower the lights and work in dim calmness rather than under the glaring fluorescents. On the top shelf are glass containers with lentils, beans, chickpeas, and popcorn kernels in them -- fun for students to feel and use for measuring with real food! I made the "Today's Menu" for the vegetables, fruits, or herbs I will try to bring in every week. On the bottom shelf there are teaspoons, tablespoons, and cups as well as other kitchen items like a sieve, apple corer, peeler, etc. and some command cards for measuring. (Example: "Peel 1/3 cup of carrots.") Students can then put them out on the sink counter for a class snack. On the middle shelf, there are cook books, wide ruled index cards for writing recipes, and a scale for measuring weight -- we'll do that later this fall, after they grasp fractions. 

Zoology: I like to put animal work out in order of "evolutionary emergence", and since at the beginning of the year we're talking about the Coming of the Universe, we won't really get to animals per se until later this fall. However, on the top shelf, I put a coral (a present from my mom!) and animal families cards (Example: male/female/baby = stallion/mare/colt) with little animal objects to match. The middle shelf has card material for animal homes (and real examples of empty wasps nests the children can touch!) and animal sounds. (I may ask students to do that work on the back patio, so they can bray or moo all they like!) The bottom shelf has a lesson and card material about prokaryote and eukaryote cells, which is more appropriate for 3rd graders. 

Peace Table: Maria Montessori was very interested in peace education, maybe because she lived in Italy under a dictator who forced her into exile. Nearly every Montessori classroom has a peace table -- a quiet place for students to go when they feel the need for calm, and where disagreements between kids are settled. I have a deck of yoga cards for children, and there is a narrow rug for yoga next to the table. I also have a photo of me as a kid and my Grandpa Henry, so that the students see that I was once a kid (gasp!) and so I remember, too. The wooden bell is a sound cue to line up (for recess or specialist classes), and the Tibetan singing bowl is a sound cue for circle time. The candle is used at birthday celebrations, placed in the middle of circle to represent the sun, and the birthday child walks around it with a small globe (representing Earth) for each year of his/her life. 

Writers Corner: I like having a rocking chair, especially for children who feel soothed by moving. Parent volunteers sit here when reading with students once per week. The writing table has a lamp, journal prompt cards, and antique photos to help inspire writing, or partners can sit here to work on a book report or activity (like readers theater or a recommendation/review poster). A nearby shelf (the writers studio) contains all the art-related supplies they might need to do that work independently. I found a curtain rod and some drapes for readers theater, so I can't wait for students to have a chance to act out their favorite books! 

Practical Life: Starting in classrooms for ages 3-6, Practical Life work develops fine and gross motor skills like balance and coordination, as well as spiritual, emotional, and social skills like patience, helpfulness, and responsibility. There are command cards on the top shelf and little basket works (rock sorting by color, size, or weight; plant watering; hole-punching, table setting; beadwork; sewing; use of camera). On a nearby sink counter is a cute little elephant-shaped tea kettle and cups, as well as a hot water brewer and two kinds of tea. When parents or visitors come into the classroom for at least twenty minutes, students may ask them if they would like a cup of tea and serve them. The adults are happily surprised by such courteous children, and students know it counts as a work!  The basket on the sink counter is where the vegetables, fruits, and herbs for measurement go.

For parents and students new to Montessori (or new to the 6-9 classroom), this may explain and give depth to the meaning to the care and thought that goes into a child's education. Every Montessori teacher and his/her classroom is different and specific to his/her personality, yet all Montessori classrooms contain materials that Maria designed over a century ago (thinking ahead of her time!), as well as materials inspired by her pioneering, scientific spirit of free and open inquiry. I look forward to sharing this learning environment with my students this year!